— John Muir (via theohpioneer)
I’ve been fighting for now 14 years to try to do this, to make all the subway turnstiles make music. I want to make every station in New York have a different set of dominant keys, so that people when they grow up, later on in life, will hear a piece of music and be like, ‘Oh, that’s Union Square.’
So when you go through the turnstiles, there would be a thing that would make a beep of a certain note. And it would have a random note generator that would be based on a percentage, so that the root note would be a higher percentage of going off, then the third, then the fifth. And during rush hour in the bigger stations, it would hopefully make a really beautiful piece of music.
Each line would be a piece. The green line would go through different chords and when they intersected with other lines that would change that station."
Male writers tend to get asked what they think and women what they feel.
In my experience, and that of a lot of other women writers, all of the questions coming at them from interviewers tend to be about how lucky they are to be where they are – about luck and identity and how the idea struck them. The interviews much more seldom engage with the woman as a serious thinker, a philosopher, as a person with preoccupations that are going to sustain them for their lifetime."
Eleanor Catton, the youngest winner of the Man Booker Prize.
Pair with Margaret Atwood on literature’s “women problem” and these illustrated biographies of women writers who shaped the literary canon, then consider what makes a great interview.
(Source: , via explore-blog)